Inventive arrangement and nouvelle vague quality...
Exordium doesn’t unfold like a typical composition. It pulses like a ceremonial awakening, blending impressionistic textures with transcultural harmonies and an eerie sense of space. Classical traditions are bent, stretched, and reimagined — with echoes of Debussy, ancient Middle Eastern music, and cinematic ambient forms bleeding into one another. Each phrase feels symbolic, like part of a cosmic dialogue between light and dark, death and life, sky and earth. DAHROUG isn’t merely composing — he’s invoking something ancient and spiritual...
Sherif Dahroug continues to push the boundaries of contemporary music, crafting sonic sanctuaries that resonate with infinite depth...
Sherif Dahroug heads into the woods...
The acclaimed Franco-Egyptian producer, pianist, and composer returns with a new and somewhat abstract work. Dichotomy, the artist’s latest release, features five long instrumental piano tracks. It is a sonic ritual — a vast inner temple where the echoes of the cosmos’s primordial birth resound. Exploring the theme of duality, so central to Egyptian philosophy, the work presents a cycle of five symbolic metamorphoses. This tonal poem unfolds as an impressive, ritualistic journey, where transcultural bimodality weaves through the polar structures intrinsic to Egyptian thought — all delivered with great sensitivity at the piano.
Mr. Sherif Dahroug is a non-series composer and an award-winning composer and author. He is also an artist who successfully navigates other cultural spheres. "Exordium: Horizon Of The Sycamores" is an opening track from his conceptual album "Dichotomy..." The music created by this author touches on the elements of the avant-garde, non-classical variety, where there are many other expressive elements that are difficult to describe, because the author's approach expands the boundaries of standard forms. The plot of the album, as well as these themes, was moved to ancient Egypt, and the filmic story of the complete concept requires a serious approach to the music, which this author markets. Serious work with many segments of music from the future.
A transcendent experience… a sonic architecture that feels ancient and futuristic all at once. Bold, cohesive, and uniquely poetic.
... the definition of dichotomy established by the ritual structure — not as a moment of rupture, but one of summoning dissonant parts of a whole. There’s this gradual construction aspect to it that doesn’t feel dragged nor tiring, yet fluid and storytelling, with very much detail and care. The dissonant chord being played repeatedly alongside the harmonious and mysterious melody creates this urgent sense to it, while still guiding the listener through the ups and downs of the tale being told...
This composition stands out as a deeply emotional and technically accomplished work of instrumental classical music. From the opening notes, it reveals a profound command of musical storytelling—marked by expressive phrasing, dynamic control, and subtle nuance. Without lyrics, the piece evokes a vivid, immersive atmosphere, telling its story with clarity and resonance. Despite focusing primarily on electronic music, we recognize in this work a singular artistic voice—one that deserves recognition beyond genre boundaries. It is a moving, captivating piece from a composer with both vision and mastery.”
The album was featured on Episode 2 of The Mark & Wayne Show, airing Sundays on Glacer FM at exactly 10:15 p.m. EST (America/New_York time zone). For more details, visit www.glacerfm.com.
Sounds like a deeply ambitious and strikingly cohesive piece of work. It manages to feel both ancient and modern — merging impressionistic classical language with something far more metaphysical and expansive. The influence of ritual is felt not just in the structural pacing, but in the emotional depth of each transition — like moving through different ceremonial thresholds. There’s a strong sense of narrative tension throughout, yet it's presented in a way that avoids cliché, leaning instead into abstraction and evocative sonic imagery. The instrumentation and pacing invite close, uninterrupted listening — this is music that rewards patience and immersion. It’s rare to hear contemporary classical compositions that feel this conceptually complete, while still leaving space for mystery and interpretation. The exploration of duality doesn’t just inform the theme; it’s embedded in the way dissonance and consonance play off each other, how textures rise and fall, and how silence is used as its own form of contrast. I can definitely see this resonating with platforms that focus on avant-garde, experimental, and philosophical sound art. It’s the kind of work that asks listeners to slow down and feel...
Composer Sherif Dahroug presents DICHOTOMY – A Tone Poem of Five Metamorphoses for Piano, a 39-minute sonic ritual exploring cosmic dualities inspired by ancient Egypt. Weaving transcultural polytonality and ritualistic architecture, Dahroug creates a meditative soundscape where light, dark, life, and death converge. Released on July 7, 2025, the work reflects his meticulous blend of scientific precision and poetic vision, cementing his status as a leading contemporary composer.
Featured in Best Undiscovered Releases by Bad Architect Records.
The whole piece feels intentional. Not following trends, it crafts a sound that is honest, immersive, and strikingly real.
"A very compelling track, with a progression that unfolds beautifully and maintains a strong, captivating flow."