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Nuit du Songe — original recordings written for piano, prepared piano, church bells, choir, and hybrid instruments. Released May 15, 2026 · Total duration: 47 minutes and 59 seconds.
A new album of original compositions and recordings by Sherif Dahroug, featuring L'Ensemble de Montmartre, Nuit du Songe (Night of the Dream) — A constellation of nine contemporary tableaux woven into a single labyrinthine opus exploring a nocturnal state of perception.
“[…] colors and fragrances of flowers […]” — Ron Hart, SPIN Magazine, “Now Hear This,” June 2026 Explore review↗
Nuit du Songe (Night of the Dream) — In the Colors and Fragrances of Flowers — Conceived as a constellation of nine contemporary tableaux woven into a single labyrinthine opus exploring a nocturnal state of perception.
Nuit du Songe — original recordings written for piano, prepared piano, church bells, choir, and hybrid instruments. Released May 15, 2026 · Total duration: 47 minutes and 59 seconds.
[Use only official or verified documents: liner note, EPK, press page, score excerpt, biography, and high-resolution artwork.]
“Yet despite the richness of its sonic language, Nuit du Songe never collapses into abstraction for its own sake. The album remains deeply evocative, guided by an intuitive poetic coherence that binds its textures into a unified and immersive whole.” — Davide Fasiello, The Nocturnal Architectures of Memory, Modern Classical Music Magazine, 23 May 2026. Explore review↗
A habitable inner resonance of colors, memory, space, and perception settling like shifting shades within a single living harmonic body.
Nuit du Songe was born from a desire to dedicate a work to the condition of the artist today — to those who continue to create through solitude, distance, or exile, whether of the land or of the heart, and who remain faithful to beauty despite the acceleration and noise of the world. There is, in this devotion to creation, a silent dignity that has always deeply moved me.
From this reflection emerged the image of a solitary figure wandering through an inner nocturnal passage, searching for meaning and the recognition of the self. Within this obscurity appears a feminine presence — a figure of beauty, color, music, and awakening — through whom creation slowly becomes possible again.
The dream gradually revealed itself as the true space of the work: a conscious nocturnal state where memory, fragrance, sensation, and color begin to intermingle. From there emerged Nuit du Songe — In the Colors and Fragrances of Flowers, nine contemporary instrumental tableaux woven into a single labyrinthine opus exploring perception, memory, and inner transformation through sound.
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